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International research projects involve large, distributed teams made up from multiple institutions. These teams create research artefacts that need to work together in order to demonstrate and ship the project results. Yet, in these settings the project itself is almost never in the core interest of the partners in the consortium. This leads to a weak integration incentive and consequently to last minute efforts. This in turn results in Big Bang integration that imposes huge stress on the consortium and produces only non-sustainable results. In contrast, industry has been profiting from the introduction of agile development methods backed by Continuous Delivery, Continuous Integration, and Continuous Deployment. In this chapter, we identify shortcomings of this approach for research projects. We show how to overcome those in order to adopt all three methodologies regarding that scope. We also present a conceptual, as well as a tooling framework to realise the approach as Continuous Anything. As a result, integration becomes a core element of the project plan. It distributes and shares responsibility of integration work among all partners, while at the same time clearly holding individuals responsible for dedicated software components. Through a high degree of automation, it keeps the overall integration work low, but still provides immediate feedback on the quality of the software. Overall, we found this concept useful and beneficial in several EU-funded research projects, where it significantly lowered integration effort and improved quality of the software components while also enhancing collaboration as a whole.
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Thinking Design looks at 'design' in its broadest sense and shows how design originates in 'human need' which is not only physical but also psychological, socio-cultural, ecological and spiritual. The book calls for broad-based, socially integrated designs with a large global vision that offer creative solutions to a variety of subjects rather than providing multiplicity of objects. Exploring the course taken by design during the time of Gandhi and in the following era, the author advocates the need for service- or process-oriented designs in contrast to product-oriented designs. The book expl
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Industrial design coordination --- Industrial design --- Management
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The mission of the publication Delft Science in Designis to promote and advance the exchange of lessons learned on designbetween university and industry. Also, it aims to amplify thevisibility of the results of academic effort in design at DelftUniversity. The questions "What is design?", "What is engineering?","What is science?" can be fiercely debated. Between the extremes ofartistic design and pure science, the transitions are like in fluid:they are smooth and gradual. An approach focusing on how the universitydeals with knowledge may provide a better entry to the debate. Themutual u
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The international conferences on advanced design and manufacturing engineering are a forum which provides access to the most up-to-date and authoritative knowledge from both the industrial and academic worlds, and the sharing of best practice in the fields of advanced design and manufacturing engineering. The 259 peer-reviewed papers are grouped into: Machine Design and Analysis; Product Design and Development; Reverse Engineering; Structural Strength and Robustness; Dynamics of Mechanical Systems; Transmission Machinery; CAD/CAM/CAE; Complex Electro-Mechanical System Design. Review from Book
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Der vorliegende Katalog der orientalischen Knüpfteppiche des Österreichischen Museums für angewandte Kunst (MAK) ist der erste Katalog, der zu dem wertvollen Bestand der Textilsammlung des Museums erscheint. 150 Knüpfteppiche aus Ägypten, der Türkei, aus Syrien, Persien und Indien, dem Kaukasus und aus Zentralasien werden beschrieben und entsprechend der aktuellen Forschungsergebnisse wissenschaftlich bestimmt sowie technisch, ihrem Material und ihrer Knüpfung nach analysiert. Neben einer zusammenfassenden Beschreibung wird jeder Teppich in seinen historischen, lokalen, zeitlichen, formalen und technischen Zusammenhang eingeordnet und mit Orientteppichen in anderen Sammlungen verglichen. Die Einleitung beschreibt die sehr spezifische Sammlungsgeschichte, der ein Katalog der 150 Teppiche nach regionaler und chronologischer Zugehörigkeit folgt. Diesem ist eine umfangreiche Bibliographie angefügt. Glossar, Konkordanz nach Inventarnummern und Register runden das Werk ab. Der weltberühmte, in seiner Gesamtheit aber bislang unbekannte Bestand an orientalischen Knüpfteppichen der Wiener Sammlung wird so bearbeitet und vorgestellt und vermittelt ein präzises und dem aktuellen Forschungsstand entsprechendes Bild der Wiener Orientteppichsammlung.
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Looks at the design to determine if it is effective with its target market. By taking this backwards approach through design - from completed piece back to conception - this title helps readers discover why the design works and how they can use this information in their own projects.
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